A ‘Coral Reef City’ vinyl-wrapped parking booth at PortMiami, 2014. Photo: Gesi Schilling
Earlier this year we teamed with artist and friend Bhakti Baxter to wrap 18 parking booths at PortMiami with colorful vinyl, vividly depicting portraits of Miami’s now-iconic soft corals, Zoanthids. ‘Coral Reef City’ was commissioned by Miami-Dade Art in Public Places and will remain at the port through 2024, welcoming 4 million visitors annually. As of this week, we are honored to announce that the project was awarded among the best public art projects in the nation by Americans for the Arts as part of their Public Art 2014 Year in Review.
A hyper-fluorescent juvenile Montastrea cavernosa rescued from Government Cut
After months of impatiently watching dredge ships working offshore Miami, Coral Morphologic and other researchers were finally granted a brief window of opportunity from May 26 until June 6th in which to rescue corals left behind from the legally-required relocation effort from the Army Corps of Engineers’ Deep Dredge of Government Cut. This was a much shorter length of time than we had been prepared for, and as such, we had to respond with considerable urgency in order to rescue as many corals as possible. Fortunately we had begun our detailed preparations in January 2014 by coordinating students and professors from the University of Miami to help in the effort. Collectively, the Miami Coral Rescue Mission removed over 2,000 stony corals that would have otherwise been destroyed in the process to make way for the larger ships that will pass through the soon-to-be-expanded Panama Canal.
The majority of the corals that Coral Morphologic removed from Government Cut have now been transplanted to an artificial reef about one mile south from where they originated, and where we will continue to monitor them to ensure their long-term survival. Some corals will be sent to the Smithsonian Institution for research. And the rest of the corals were brought back to our Lab, where we will document them via film and photography for a body of work titled ‘Coral City’, in which we will present them as fluorescent icons for a 21st century Miami.
While we could have rescued more corals with an extended deadline, the Miami Coral Rescue Mission is not over. It is now entering a longer-term monitoring phase in which we will continue to assess the health of surrounding coral reefs through July 2015, when the Deep Dredge project is finally slated for completion.
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Coral Morphologic, in association with Borscht Corp., is proud to announce the digital release of the remixed and remastered ‘Natural History Redux’ today, March 6, 2014. ‘Natural History Redux’ compiles our original Natural History series of videos (that were previous only available online individually in 720p) into a digital 1080p collector’s edition available via Vimeo‘s On Demand service. NHR sees these 23 films hypnotically datamoshed together into a half-hour odyssey of the sea. Watch the free 720p stream above, and read a preview of the film @ the Creators Project site.
You can purchase the 1080p version of the film for $5 at this url: https://vimeo.com/ondemand/naturalhistoryredux
‘Natural History Redux’ was originally commissioned for Borscht 8 by Borscht Corp., and debuted on the 7,000 square foot video wall at Soundscape Park of the New World Symphony on Miami Beach, December 13, 2012. The release of NHR represents the closing of the early chapters of Coral Morphologic. The ‘Natural History’ series are our early ‘demos’, as the acquisition of the landmark Canon 5D Mark II in 2009 had suddenly made high-definition macro videography an affordable prospect for us. At that time we were still based out of our original home-based lab, where we made do with miniaturized aquarium sets that we hand-crafted in DIY spirit, challenging ourselves to make living portraits of our local invertebrate marinelife. Colin did the filming, and Jared composed original soundtracks (except ‘Man O War’ which was scored by Animal Collective’s Geologist) to accompany each film. We challenged ourselves to film and release a new portrait every week on this blog, which for the most part we delivered under self-imposed Monday morning deadlines. After filming ‘Man O War’ we found ourselves in a position where we felt constrained by our home-based lab, and took the gamble to move into a dedicated facility where we could expand our visions. It would be another two years before we had the time or resources to film anything new (the new Lab was considerably more expensive to set up and operate) and so when Borscht Corp. proposed showing all of our early works during Borscht 8, we took the opportunity to remaster these films so we could finally release them together as a complete long-form audio-visual experience. Enjoy!
Seen above is a fluorescence photograph of an ultra rare hybrid staghorn coral (Acropora prolifera) living in Miami’s Government Cut waterway. Colin first introduced this coral to the world at TEDxMIA in 2011. Now the Army Corps of Engineers’ “Deep Dredge” project to expand Miami’s port capabilities will necessitate the evacuation of this and thousands of other corals before their habitat is dynamited. It is Coral Morphologic’s mission to rescue them. Find out more 7:30pm Tuesday January 21st 2014 at the University of Miami Cox Science Building Room 145.
We are psyched to share that our short film ‘Fungia Food’ was included in the ‘Nature’ episode of Adult Swim‘s show Off The Air. Check out the episode at the Adult Swim site (recommended) or view below via the YouTube rip.
This Friday, November 15th at 7pm, we are enthusiastic to present ‘The Psychedelic World of Coral Morphologic’ at the Pratt Institute in New York City. The event features a Q + A on the Coral Morphologic ethos, pathos, and logos, as well as the screening of short films, including the debut of our first Google Glass-made fluorescent evening-tour of the Coral Morphologic Laboratory. ‘The Psychedelic World of Coral Morphologic’ is free and open to the public.
We are psyched to debut the Coral Morphologic + Dylan Romer-directed video for Dim Past‘s ‘Spectre In Wire’, an aquatic cut off the Black Dolphin EP. Utilizing Google Glass and GoPro devices, we take a trip down the Miami River, through Government Cut, and out to the sea, our destination. There we dive in and illuminate the Corals of Miami, keepers of a magical yet ephemeral realm. Dylan Romer‘s reality-augmenting ‘Time Piles’ application treats the exploration, holding the experience together like a glue until we resurface.
The video originally premiered at the Collabo Show via our projection-sculpture ‘Version Key #2′, and online via Dazed Digital.