Watch thefull Projections of a Coral City program above.
The sun has set on Projections of a Coral City, our largest installation to date, and we are thankful for everyone who made this monumental work possible. From the Knight Foundation’s continued support of our mission, to the collaborative spirit of the Arsht Center, to the hundreds of thousands of people who witnessed this installation: we are eternally grateful.
Projections of a Coral City was the 15-year culmination of our goal to create a new mythology for the city of Miami — one that tells the story of past, present, and future sea-level rise and fall and the ouroboros of architectural development — of the ancient coral reef tract’s calcium carbonate structures and its re-use millennia later in concrete skyscrapers of present day. We hope that Projections of a Coral City shed light on the sea-level rise projections referenced in the project’s title, and how the City’s buildings and infrastructure might be reclaimed by coral as an artificial reef should humanity not act to prevent and mitigate the effects of climate change, to which Miami is among the most vulnerable cities on Earth.
Special Thanks to the Knight Foundation, whose generous support made POACC possible; the Adrienne Arsht Center for the Performing Arts, who graciously hosted the event; the dream team of creatives that helped us bring POACC to life; and Light Harvest / A3 Visual for the absolutely stunning projection display.
We are ecstatic to announce Projections of a Coral City, a large-scale projection-mapping installation to be presented on the exterior of the Knight Concert Hall nightly, 6PM-12AM, during Miami Art Week from Tuesday, November 29 through Saturday, December 3, 2022. Projections of a Coral City, featuring macroscopic images of corals native to Miami and from around the world, is a monumental artwork and the largest projection of corals ever presented globally. Projections of a Coral City is made possible through the support of the John S. and James L. Knight Foundation.
Miami is a coral city. Built with marine limestone mined from the Everglades, its concrete skyline stands like corals colonizing the fossilized reef ridge on which the city was built. Miami and its maritime environment are inextricably connected geologically, historically, culturally and economically. Engaging residents and visitors with Miami’s coral reefs and waters connects them to the literal foundation of the city and to its future.
The corals featured in Projections of a Coral City were grown on flat tiles and 3D-printed scale models of the Knight Concert Hall over many years in our Miami laboratory, and subsequently photographed and enlarged to envelop the building’s southwest side. These aquacultured corals include the colorful, native Ricordea florida corallimorph. Corallimorphs are an understudied group of soft corals that scientists predict will proliferate in a world where oceans are acidified and stony corals can no longer calcify into reefs. Projections of a Coral City reimagines the Knight Concert Hall’s terraced form designed by architect César Pelli as an ever-morphing coral head and, as the sea-level rise projections referenced in the project’s title portend, suggests how the City’s buildings and infrastructure might be reclaimed by coral as an artificial reef should humanity not act to prevent and mitigate sea-level rise.
An ambient soundscape foreshadowing the City’s future by Coral Morphologic and Nick León will play in tandem with the projections on the Arsht Center’s Thomson Plaza for the Arts on Biscayne Boulevard.
We are excited to present Illuminating Coral, an eight-episode educational course created with our longtime collaborator John McSwain during the height of the COVID-19 pandemic. The course, made exclusively with Parley for the Oceans, dives into the lives’ of coral, sheds light on their vital role in our global ecosystem, and offers solutions on how humans and coral can live in symbiosis both now and in the future. Watch Illuminating Coral in full via the Parley Ocean School @ https://edu.parley.tv/course/illuminating-coral/
We are thrilled to share we’ll be curating ‘An Evening with Coral Morphologic‘ at the historic Tower Theater Miami on April 30th. In addition to inaugurating Tower’s new lobby projection system with a CM audiovisual installation, we’ll be showing a film program in the theater consisting of Miami’s first official Tangerine Reef screening, John McSwain’s CM documentary Coral City, and a Q & A session with CM, McSwain, and Brian Weitz of Animal Collective moderated by Miami-based writer and photographer Monica Uszerowicz.
The event is free and open to the public but we kindly ask patrons to RSVP at this link. The audiovisual installation/ happy hour runs 5-7pm, and the film program/ Q & A runs 7-9pm. We will have a version of the poster above for sale at the event, designed by Rob Carmichael of SEEN Studio.
Update 5/1/19: Our audiovisual installation in the theater’s lobby will run till early December – if you are in the area feel free to stop in and check it out.
Avey Tare, Geologist, and Deakin performing Tangerine Reef live.
This past Saturday, Animal Collective and we debuted the live version of Tangerine Reef at David Lynch’s Festival of Disruption. Aquatic sights and sounds enmeshed to immerse the audience of Brooklyn Steel in the extraterrestrial underwater environ of Tangerine Reef.
Thank you to David Lynch for inviting us and the Festival of Disruption team for an amazing production. Stay tuned for the official release of Tangerine Reef this August.
The Tangerine Reef crew: Avey Tare, John McSwain, Deakin, J.D. McKay, Geologist, and Colin Foord.
We are very psyched to share Coral City, a half-hour documentary accompanying the Coral Morphologic cover story in last August’s VICE Magazine. The movie, directed by John McSwain and shot by Jake Burghart of VICE Media, documents our efforts to highlight the urban corals of Miami as resilient pioneers adapting to a rapidly changing world.
A morphing loop of ‘The Humongous Fungus Among Us Issue’ photographed under daylight, blacklight, and fluorescence filter.
Be sure to pick up a copy of the August, 2014 offering from VICE Magazine, ‘The Humongous Fungus Among Us Issue’, which features a special blacklight-reactive cover depicting Zoanthus polyps cloned and photographed in the Coral Morphologic lab. The issue’s contents are also available online, including the cover story, ‘Miami Is Drowning‘, by John McSwain.
