Last month, our film ‘Natural History Redux‘ screened at the Imagine Science Film Festival held at New York University’s campus in Abu Dhabi. Abu Dhabi is located along the Arabian/ Persian Gulf as one of the coastal Emirates in the United Arab Emirates. Colin was asked to speak on a panel regarding the future of global water resources and the importance that art/ science has to play in bringing these issues into public awareness. However, he also had the opportunity to explore the unique marine habitat in the area.
We are very psyched to share ‘Coral City’, a half-hour documentary accompanying the Coral Morphologic cover story in last August’s VICE Magazine. The movie, directed by John McSwain and shot by Jake Burghart of VICE Media, documents our efforts to highlight the urban corals of Miami as resilient pioneers adapting to a rapidly changing world. Check out the online premiere over at The Creators Project.
A fluorescence photograph of the hybrid fused staghorn coral.
It was the discovery of a hybrid fused staghorn coral living on a granite boulder beneath the shadows of a luxury condo that initially sparked our interest in the resilient corals that are taking advantage of Miami’s underwater infrastructure. Colin first presented this coral to the public for TEDxMIA in 2011 in a talk titled ‘A Hybrid Future – The Corals of Miami’. But with the Army Corps’ Deep Dredge of Government Cut happening just a stones throw from where this coral lives, we have been particularly concerned about the health of this coral. Not only are Miami’s corals being inundated with excessive dredge silt, they’re also dealing with the same water conditions that have induced an alarming percentage of corals to bleach across South Florida’s reefs.
A morphing loop of ‘The Humongous Fungus Among Us Issue’ photographed under daylight, blacklight, and fluorescence filter.
Be sure to pick up a copy of the August, 2014 offering from VICE Magazine, ‘The Humongous Fungus Among Us Issue’, which features a special blacklight-reactive cover depicting Zoanthus polyps cloned and photographed in the Coral Morphologic lab. The issue’s contents are also available online, including the cover story, ‘Miami Is Drowning‘, by John McSwain.
A ‘Coral Reef City‘ vinyl-wrapped parking booth at PortMiami, 2014. Photo: Gesi Schilling
Earlier this year we teamed with artist and friend Bhakti Baxter to wrap 18 parking booths at PortMiami with colorful vinyl, vividly depicting portraits of Miami’s now-iconic soft corals, Zoanthids. ‘Coral Reef City’ was commissioned by Miami-Dade Art in Public Places and will remain at the port through 2024, welcoming 4 million visitors annually. As of this week, we are honored to announce that the project was awarded among the best public art projects in the nation by Americans for the Arts as part of their Public Art 2014 Year in Review.
Coral Morphologic, in association with Borscht Corp., is proud to announce the digital release of the remixed and remastered ‘Natural History Redux’ today, March 6, 2014. ‘Natural History Redux’ compiles our original Natural History series of videos (that were previous only available online individually in 720p) into a digital 1080p collector’s edition available via Vimeo‘s On Demand service. NHR sees these 23 films hypnotically datamoshed together into a half-hour odyssey of the sea. Watch the free 720p stream above, and read a preview of the film @ the Creators Project site.
You can purchase the 1080p version of the film for $5 at this url: https://vimeo.com/ondemand/naturalhistoryredux
‘Natural History Redux’ was originally commissioned for Borscht 8 by Borscht Corp., and debuted on the 7,000 square foot video wall at Soundscape Park of the New World Symphony on Miami Beach, December 13, 2012. The release of NHR represents the closing of the early chapters of Coral Morphologic. The ‘Natural History’ series are our early ‘demos’, as the acquisition of the landmark Canon 5D Mark II in 2009 had suddenly made high-definition macro videography an affordable prospect for us. At that time we were still based out of our original home-based lab, where we made do with miniaturized aquarium sets that we hand-crafted in DIY spirit, challenging ourselves to make living portraits of our local invertebrate marinelife. Colin did the filming, and Jared composed original soundtracks (except ‘Man O War’ which was scored by Animal Collective’s Geologist) to accompany each film. We challenged ourselves to film and release a new portrait every week on this blog, which for the most part we delivered under self-imposed Monday morning deadlines. After filming ‘Man O War’ we found ourselves in a position where we felt constrained by our home-based lab, and took the gamble to move into a dedicated facility where we could expand our visions. It would be another two years before we had the time or resources to film anything new (the new Lab was considerably more expensive to set up and operate) and so when Borscht Corp. proposed showing all of our early works during Borscht 8, we took the opportunity to remaster these films so we could finally release them together as a complete long-form audio-visual experience. Enjoy!