Today we release an album we’ve been compiling for years: Flannel Beach – The Doom Years, a mixtape featuring great SoFL bands spanning the years of 2004-2012. The album is available in 12″ vinyl & cassette format(s) via our online store & IRL @ Gramps tonight, Friday, September the 25th. ‘Coral City‘ & ‘Natural History Redux‘ are screening before Rick Guerre goes live, followed by a special Guy Harvey reunion set. The compilation benefits our current project, the South Pointe Park Coral Nursery. Read more about Flannel Beach here via the Miami New Times and here via The Creators Project. Thank You to the Musicians of Flannel Beach, Michael Alen of Sound Nutrition, who co-produced the LP, Jorge Gonzalez Graupera, who mastered it, and Brian Butler, the artist behind the swampy album artwork.
We are proud to have filmed the corals of the Miami Coral Rescue Mission for a new BBC/ National Geographic three-episode series on the Atlantic Ocean titled Atlantic: The Wildest Ocean on Earth. Watch the Coral Morphologic-shot coral fluorescence sequence below, which features in the series’ third episode, ‘From Heaven to Hell‘, airing August 13th on BBC Two in the UK. Additionally, read an article via BBC Earth detailing the unique adaptive qualities exhibited by Miami’s urban corals.
Last month, our film ‘Natural History Redux‘ screened at the Imagine Science Film Festival held at New York University’s campus in Abu Dhabi. Abu Dhabi is located along the Arabian/ Persian Gulf as one of the coastal Emirates in the United Arab Emirates. Colin was asked to speak on a panel regarding the future of global water resources and the importance that art/ science has to play in bringing these issues into public awareness. However, he also had the opportunity to explore the unique marine habitat in the area.
We are very psyched to share ‘Coral City’, a half-hour documentary accompanying the Coral Morphologic cover story in last August’s VICE Magazine. The movie, directed by John McSwain and shot by Jake Burghart of VICE Media, documents our efforts to highlight the urban corals of Miami as resilient pioneers adapting to a rapidly changing world. Check out the online premiere over at The Creators Project.
A fluorescence photograph of the hybrid fused staghorn coral.
It was the discovery of a hybrid fused staghorn coral living on a granite boulder beneath the shadows of a luxury condo that initially sparked our interest in the resilient corals that are taking advantage of Miami’s underwater infrastructure. Colin first presented this coral to the public for TEDxMIA in 2011 in a talk titled ‘A Hybrid Future – The Corals of Miami’. But with the Army Corps’ Deep Dredge of Government Cut happening just a stones throw from where this coral lives, we have been particularly concerned about the health of this coral. Not only are Miami’s corals being inundated with excessive dredge silt, they’re also dealing with the same water conditions that have induced an alarming percentage of corals to bleach across South Florida’s reefs.
A morphing loop of ‘The Humongous Fungus Among Us Issue’ photographed under daylight, blacklight, and fluorescence filter.
Be sure to pick up a copy of the August, 2014 offering from VICE Magazine, ‘The Humongous Fungus Among Us Issue’, which features a special blacklight-reactive cover depicting Zoanthus polyps cloned and photographed in the Coral Morphologic lab. The issue’s contents are also available online, including the cover story, ‘Miami Is Drowning‘, by John McSwain.
A ‘Coral Reef City‘ vinyl-wrapped parking booth at PortMiami, 2014. Photo: Gesi Schilling
Earlier this year we teamed with artist and friend Bhakti Baxter to wrap 18 parking booths at PortMiami with colorful vinyl, vividly depicting portraits of Miami’s now-iconic soft corals, Zoanthids. ‘Coral Reef City’ was commissioned by Miami-Dade Art in Public Places and will remain at the port through 2024, welcoming 4 million visitors annually. As of this week, we are honored to announce that the project was awarded among the best public art projects in the nation by Americans for the Arts as part of their Public Art 2014 Year in Review.